Colonial Homes
Colonial Homes by Pacific Columns Colonial Homes

The term ‘colonial homes’ describes a number of well-known architectural styles. Begun in the colonies and later adapted and combined with popular European trends, both the Colonial and Colonial Revival homes are a uniquely American architectural experience that are at once stately and modest.

Characteristics of Colonial Homes

Life in the colonies was based on necessity and so it naturally follows that colonial architecture provides a minimalist shelter to its occupants both solid and steadfast in style. Low on decoration and trim, the rectangular Colonial style is often found in the northeastern United States. Big on symmetry, a defining characteristic is the windows which are most often double hung with a number of small square panes. Another is the set of stately columns that do double duty providing structural supports and an air of stately grace.

Some popular colonial home styles include:

• Cape Cod Colonial
• Garrison Colonial
• New England
• Southern Colonial
• Saltbox Colonial
• Georgian Colonial
• French Colonial
• Spanish Colonial
• Dutch Colonial
• Federal

Characteristics of Colonial Revival Homes
After its inception, colonial homes gave way to Colonial Revival homes in a resurgence in popularity where symmetry and minimalism were appreciated. Popular across the Midwestern United States, Colonial Revival homes enjoy the same boxy style and stately columns but enjoy a dash of color in the shutters and a few more decorative details:

• Central hallways
• White clapboard siding
Black or green shutters
• Detailed cornices

Colonial Columns
One thing that all versions of the original Colonial style and the newer Colonial Revival or Neo-Colonial homes have in common are their stately columns. Providing both structural support and a modest grandeur to the home, columns also allow homeowners to express their personality and the personality of the landscape and the estate. Details such as shape of the column and the choice of column base or bottom and column capital or top all provide outlets for creativity and style.

Colonial Column Styles
Like colonial life, colonial architecture was simple and efficient. Time and materials were never wasted on luxury but space was a commodity to be had in plenty. Therefore it is not uncommon to see large front porches and wraparound porches with a number of columns on colonial homes. Simple round columns with square bases and matching capitals are the common among colonials with the occasional scroll or leaf and acanthus decoration on the Neo-Colonial Revival homes.

Colonial Column Materials
Originally, colonists made use of natural, local materials for their homes and created columns out of wood, stone or marble. Today, colonial style home owners can have the look and feel of wood without the maintenance through materials like fiberglass, vinyl and composite materials. These materials allow for the same feel of the more expensive natural choices without concern for damage due to weather, insects and other hazards of time and the outdoors.

Colonial Column Colors
As noted earlier, the original colonists spared no time or effort on garish colors but as our country has grown so too has its interest in color and sparkle. Today, even on homes that mimic the early colonials, bright shutters or clapboard siding can be seen on a number of houses. Some even choose to paint their columns in eye-catching contrast to the rest of the house or to match the shutters or fence posts. But of course, simple beiges and off-whites can serve to balance out the gracious symmetry of a colonial home and add to the estate-like feel of the architectural design as a whole.

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Giacomo Barozzi da Vignola

Giacomo Barozzi da Vignola

Giacomo Barozzi da Vignola more famously known as Vignola was one of the many great architects of the 16th century Italian Renaissance. Born in Vignola, Italy on October 1, 1507, Vignola began most of his architectural training in Bologna as a painter and perpspectivist. Learning from some of the greats at the time such as Baldassare Peruzzi and Sebastiano Serlio, Vignola perfected his architectural style. Vignola is known for many accomplishments including his work in Rome in the mid-16th century on the Vatican, well known designs for Pope Julius III, King Francis I of France and the Farnese family.

Some of these works include the Villa Giullia, with its rectangular front and immense semi-circle shaped garden and the Villa Farnese at Caprarola, and Villa Lante. These summer villas dominantly influenced by Vignola had a lasting impression on garden and architectures designed. In addition, Vignola designed many churches including the Church of the Angels and the oval churches Saint Andrea in Via Flaminia and the Saint Anna dei Palafrenieri inside the Vatican. These churches were among the first oval or dome shaped churches which set the pace and influenced many architects.One of the more significant aspects of Vignola’s designs is demonstrated in the facade of The Gesù. This church which was built for Cardinal Farnese was designed with the pure intent of preaching. The face of the church consists of a two-story composition, ordained with simple columns and pilasters on each story, as well as a triangular pediment over the nave, and volutes which mask the chapel roofs. In addition to these, Vignola also contributed to St. Peter’s. In conjunction with Michelangelo’s design Vignola created the two small domes within the church.Vignola’s architectural styling is typically recognized in facades and main entrances to buildings, which influenced many 17th century architects of the Baroque style. In addition to his designs, he also wrote two books, the first of which is most commonly known as “The Rules of The Five Orders of Architecture”. The second treatise which deals more on perspective, called “Two Rules of Practical Perspective” was unfinished at his death on July 7, 1573. Having worked with other well known artists of the time including Michelangelo, Leonardo da Vinci and Raphael, Vignola was buried in the Parthenon and respected as one the great architects of 16th century Mannerism period. His designs beautifully incorporated decorative arts with architectural style that was visible throughout the Italian Renaissance.
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